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Miniature 1, in particular, was composed to demonstrate extremes of stereo panning. The sound objects are often edged with high frequency content, and very immediate in the foreground - both qualities which allow the material to be better heard in non-ideal listening situations. The fast and urgent feel of the work is exacerbated by sharp cuts between different textures, and heavy use of a manual cut-and-paste technique. This technique in particular is exploited to create everything from smooth, linear volume ramps to disjointed call-and-response passages between the listener’s ears. Recordings of various wooden toys have been used in their raw and processed states to create the contrasting textures within the work.

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from 3 Miniatures for Headphones, track released October 27, 2018

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Alexis Weaver Sydney, Australia

Alexis Weaver is an electroacoustic composer based in Sydney, Australia. She fuses her classical music education with an acousmatic-based sound art practice.

For different experiments and field recordings, head to soundcloud.com/alexis-marie-weaver.

Photo by Jessica Blunt.
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